Written, performed, sung, produced and engineered by Washington state home recorder, outsider artist and pseudonym collector Sachs — whose previous musical projects include Galvn and Cass Avier — Aron’s Owls prowls a fertile, art-damaged soundscape that encompasses a wealth of cross-bred genres and anything-goes approaches that ignore any and all stylistic and structural borders.
Over the course of nine songs and roughly 35 minutes, the album surveys a varied expanse of a pop-fueled discord, incorporating elements of left-field indie rock, experimental electronic music, ambient noise and scorched-sugar psyche-pop melodies — all acid-washed, put through the wringer and then hung out to dry overnight under a dusty industrial haze.
-Darryl Sterdan
Written, recorded, and mixed by Henry Sachs in Seattle, Washington and burned to disk on September 12th, 2024.
All tracks were mastered by Angus Vedder at the Trebas Institute in Montreal, QC.
SUBJECT: CASS AVIER ALBUM REVIEW
Over the course of nine songs and roughly 35 minutes, the album surveys a varied expanse of a pop-fueled discord, incorporating elements of left-field indie rock, experimental electronic music, ambient noise and scorched-sugar psyche-pop melodies — all acid-washed, put through the wringer and then hung out to dry overnight under a dusty industrial haze.
-Darryl Sterdan
Written, recorded, and mixed by Henry Sachs in Seattle, Washington and burned to disk on September 12th, 2024.
All tracks were mastered by Angus Vedder at the Trebas Institute in Montreal, QC.
SUBJECT: CASS AVIER ALBUM REVIEW